Ayn Rand’s The Fountainhead is the funniest philosophical treatise I’ve read since The Anti-Christ. The Communist Manifesto is pretty funny too, but that’s an extended take on one joke. In The Anti-Christ, Nietzsche was all about delivery and the perfect punchline. Rand, though, is absolutely brilliant at layering observations into great towering stacks of takedown comedy. She’s never better than when unleashing full-bore satire on the left. She fails, predictably, in the very place she ought to have tried hardest: describing her hero.
Probably through constant exposure to messageboards, I have come to find genuine humor in people who allow their hatred, bigotry or contempt for other people to fester uncontrollably. It expands and eats away at their critical faculties, to the point where they simply can’t recognize the unmitigated insanity coming out of their mouths.
She does, however, manage to predict both the popularity of the shallow memoir and the entertainment value of the sort of non-entertainment that populates Youtube. Considering how often such things have been predicted over the last half century or so, I’m starting to wonder if we haven’t always been this shallow. And a hundred years from now, Frisky Dingo will be high culture.
I’m at home all the time, working, so I’ve been listening to books on tape. Before this, it was all the Harry Potter books in a week and a half (I don’t recommend this). It was fun to hear Rowling’s characters grow and learn, and reader Jim Dale is a great goddamn actor. But Rowling’s sentences are long and arduous; conversations taking five times longer than they should because characters are passing the idiot ball around like herpes in high school. Rand, on the other hand, writes really pretty sentences. And though I disagree with her basic premise, it’s not hard to appreciate the skill she employs to lay it out.
They say sound never dies, but travels on in space. What happens to a man’s heartbeat?
Hey, Leni Riefenstahl was a pretty good filmmaker, too.
Also, if that Roark/Wynand ’ship ain’t just begging for slash, then what, pray tell, is the internet for?